Creelers Seafood Restaurant

August 24, 2009 4:10 pm Article by Ash J. Lipkin

Edinburgh, like much of Scotland, is blessed with fantastic seafood. The rugged coastline is home to many of the UK’s finest produce, from wild salmon and trout to huge scallops, mussels and bourgeois varieties of fish that crop up on the menus of London’s best restaurants. So with this in mind, I went for a meal at Creelers, a family-run seafood restaurant in the heart of the Old Town. Their website enthuses about their love of seafood and the finest of local produce, cooked simply and without fuss to show off the very best of the ingredients; how could I possibly resist a visit?

creelers1Situated in Hunter Square, just off South Bridge Borders where much of the Fringe Festival takes place, the restaurant is a humble and unpretentious affair, with wooden chairs and tables and the curiously plastic pot-plants that one seems to find everywhere in Edinburgh. The place is well staffed, mainly with students but ones who were friendly and efficient, as opposed to sulky and incompetent as you find in so many restaurants these days.

The menu is also a straightforward affair, which is by no means a bad thing. A starter of homemade fish soup with rouille and croutons was flavoursome and hearty, though it was made with a salmon base and personally I prefer the rich and intense shellfish stock that you would find in a traditional French fish soup. So why did I order it? Because I wasn’t listening to the waitress when she told us that it was made with salmon. Nevertheless, my partner was woman enough to swap dishes halfway through so that I could sample the rest of her moules mariniere, and boy was I glad that I did.

The moules mariniere at Creelers was the finest example of that dish that I’ve had in living memory, certainly the best that I’ve had in the UK. The mussels were huge, plump and juicy, and the sauce – oh the sauce – was divine. They hadn’t used too much cream but still managed to produce a velvety texture, rich with wine and seasoning, lifted by parsley and so tasty that one could’ve eaten it with a spoon. The dish was served with chunks of crusty bread that was used to mop up the last remnants of the sauce and the remaining mussels that had slipped from their shells and lay marinating in the bottom of the bowl like glistening jewels of the sea. In fact the dish was so good that I considered cancelling my main course and ordering the starter again.

creelers2aMain courses of halibut on a bed of mash and a plate of seared scallops were no less accomplished. The fish was meaty and the mash delightfully rich; the scallops were among the best we’d eaten, being plump and perfectly cooked. A fairly priced and well chosen wine list complimented the food, and although the dishes were what you might call London prices (£7.50 for the mussels, £17.75 for the halibut), they were worth every penny.

If you are visiting Edinburgh or indeed live there, you really must drop into Creelers for a meal, if only to sample their moules mariniere (in fact you would be a heathen to visit this place without ordering that dish). We were too stuffed for pudding but I imagine those are pretty good too.

Creelers, 3 Hunter Square, Edinburgh EH1 1QW. Tel. 0131 220 4447.

1 Comment

  • Having read your review I am now hungry! I shall definitely visit next time I am in Edinburgh. Keep up the good work.
    Many thanks.

Make a Remark


In Other Matters...

  • WIE not WI

    WIE not WI

    If you didn’t already know, Thursday 8th March 2012 is International Women’s Day. What more fitting occasion, then, to host the first UK Women: Inspiration and Enterprise Symposium, a gathering of some of the world’s most prominent women in politics, business and the arts to lead a series of discussions,...

    Read more →
  • Pasqua and the Brain

    Pasqua and the Brain

    My little sister ‘does the brain’. This is what a lot of people will tell you. In reality she is not particularly little (she is in fact a fully grown 23 years of age) and what they really mean by ‘the brain’ is that she studied Neuroscience at university. These days all things inter- and extra-cranial...

    Read more →
  • Drinking with Shakespeare

    Drinking with Shakespeare

    Skimming through the FT’s roundup of 2011, its lowest points were made no less dreary by their depiction through illustrated Greek tragedy. I’m sure no one is under the illusion that 2012 (at least the beginning of it) is off to a blinding start – John Cusack might argue that it looks ultimately...

    Read more →
  • Dead Man’s Patterns

    Dead Man’s Patterns

    London and New York design agency Sheridan & Co. are to host a series of creative shows in their London space this year, the first of which showcases the work of Hormazd Narielwalla, and will take place during London Fashion Week this month. The exhibition, entitled Dead Man’s Patterns, Memento...

    Read more →
  • Murder on the Nile

    Murder on the Nile

    The latest production from The Agatha Christie Theatre Company was first adapted from Christie’s novel Death on the Nile (1937) and performed as a stage production Hidden Horizon in 1944 before opening in the West End and Broadway as Murder on the Nile in 1946. Simon Scullion deserves special mention...

    Read more →
  • Enter the Innerplace

    Enter the Innerplace

    Who doesn’t love the idea of having privileged access to exclusive parties, restaurants and shows? Innerplace is a private concierge service which uses vast knowledge and experience of London life, helped along by a rather extensive contacts book, to arrange unique experiences for members. As you’re...

    Read more →
  • Reading Trends

    Reading Trends

    The debate over the e-book or the ‘p-book’ (the latter being a term that makes me cringe), is the contentious issue in many a publishing circle. How are these reading trends evolving and can the two coexist happily? I don’t think it is quite that simple; different reading material will...

    Read more →
  • The Madness of George III

    The Madness of George III

    This tremendous Theatre Royal Bath production of Alan Bennett’s play is directed by the great Christopher Luscombe. King George III, in a spellbinding performance by David Haig, is beginning to display increasing signs of insanity, above and beyond his usual eccentricities. It is now believed the king...

    Read more →