Gordon Ramsay at Claridges

March 7, 2009 2:59 pm Article by Ash J. Lipkin

I last dined at this stalwart of classic haute cuisine a few years ago for a rather hushed but memorable evening meal, and I was very much looking forward to the return visit. This time it was to be a busy Friday luncheon with the chaps from The Arbuturian.

Gordon Ramsay at ClaridgesService was predictably smooth, courteous and attentive. Some breadsticks were placed on the table along with two dips; a kind of aioli with truffle, and something delicious with salmon. Amuse bouche arrived as an intense little parsnip soup, again with truffle; a most delightful and warming start. The bread was a simple selection of mini-baguettes.

After perusing the hefty wine book, a veritable Bible of spectacular grapes from around the world, we decided to plump for a Chilean cabernet sauvignon at £29. It was a good example of a New World red, being full bodied, rich with blackcurrant aromas and a decent finish.

To eat, we chose to dine from the set lunch menu, very well priced at £25 per head for three courses. I began with a smoked mackerel salad with crispy bacon and tiny cubes of sautéed potato, and a mayonnaise dressing. It was very tasty, well presented and executed. For a main we all had the beef fillet with confit shoulder, accompanied by some courgettes, potato and a rich parsnip purée. Again, well cooked, nicely presented and a good combination of flavours. Portions were predictably small. Walk a block along the road to Le Gavroche and portion sizes increase for the set lunch menu, but then so does the price.

I asked the waitress if the Head Chef, Mark Sargeant, was in the kitchen, and she replied that no, he doesn’t cook all that often and that he’s away with Gordon working on recipes for their new book. Fair enough, I suppose. Mark has been working for Gordon since the days of Aubergine and like many of Gordon’s protégées, he’s been rewarded with a prestigious restaurant and minor celebrity status.

ClaridgesFor dessert we chose the immense cheese trolley, along with glasses of Tawny port. We were very impressed by some of their cheeses, and the waiter kindly brought over their cheese list so that we could make a note of the names. As is standard procedure at these luncheons, we asked the waiter to place a selection of different cheeses on each plate, so that we could each sample a little of everything. A handy tip if you’re into your cheese and can’t decide what to have.

Of particular interest was the Mont Briac, an extremely potent blue cheese from Auvergne, ripened in caves. The next was an equally potent Venaco, the killer from Corsica, made from sheep’s milk – make sure you’re sitting down when you try this one. A milder but no-less interesting cheese was a Morbier, made with a layer of ash through the middle. Highly recommended.

We couldn’t face coffees but were given some petit fours nonetheless. Little balls of ice-cream in a crispy biscuit shell and glazed with chocolate. I’ve no idea how those are made, but they were delicious.

In summary, portions were on the small side but that is the norm for set lunches in central London. Service was excellent, as it should be. So in all I would say that it lived up to expectations. The grand art-deco dining room was buzzing with atmosphere despite the apparent credit crisis. And it must be true what they say about cheese and vivid dreams. That night I was practically hallucinating.

Gordon Ramsay at Claridges, Claridge’s Hotel, 55 Brook Street, London W1S 1EY. Tel. 020 7499 0099.

For a comprehensive review of the wine list, please visit our chums at WineChap.

Make a Remark


In Other Matters...

  • WIE not WI

    WIE not WI

    If you didn’t already know, Thursday 8th March 2012 is International Women’s Day. What more fitting occasion, then, to host the first UK Women: Inspiration and Enterprise Symposium, a gathering of some of the world’s most prominent women in politics, business and the arts to lead a series of discussions,...

    Read more →
  • Pasqua and the Brain

    Pasqua and the Brain

    My little sister ‘does the brain’. This is what a lot of people will tell you. In reality she is not particularly little (she is in fact a fully grown 23 years of age) and what they really mean by ‘the brain’ is that she studied Neuroscience at university. These days all things inter- and extra-cranial...

    Read more →
  • Drinking with Shakespeare

    Drinking with Shakespeare

    Skimming through the FT’s roundup of 2011, its lowest points were made no less dreary by their depiction through illustrated Greek tragedy. I’m sure no one is under the illusion that 2012 (at least the beginning of it) is off to a blinding start – John Cusack might argue that it looks ultimately...

    Read more →
  • Dead Man’s Patterns

    Dead Man’s Patterns

    London and New York design agency Sheridan & Co. are to host a series of creative shows in their London space this year, the first of which showcases the work of Hormazd Narielwalla, and will take place during London Fashion Week this month. The exhibition, entitled Dead Man’s Patterns, Memento...

    Read more →
  • Murder on the Nile

    Murder on the Nile

    The latest production from The Agatha Christie Theatre Company was first adapted from Christie’s novel Death on the Nile (1937) and performed as a stage production Hidden Horizon in 1944 before opening in the West End and Broadway as Murder on the Nile in 1946. Simon Scullion deserves special mention...

    Read more →
  • Enter the Innerplace

    Enter the Innerplace

    Who doesn’t love the idea of having privileged access to exclusive parties, restaurants and shows? Innerplace is a private concierge service which uses vast knowledge and experience of London life, helped along by a rather extensive contacts book, to arrange unique experiences for members. As you’re...

    Read more →
  • Reading Trends

    Reading Trends

    The debate over the e-book or the ‘p-book’ (the latter being a term that makes me cringe), is the contentious issue in many a publishing circle. How are these reading trends evolving and can the two coexist happily? I don’t think it is quite that simple; different reading material will...

    Read more →
  • The Madness of George III

    The Madness of George III

    This tremendous Theatre Royal Bath production of Alan Bennett’s play is directed by the great Christopher Luscombe. King George III, in a spellbinding performance by David Haig, is beginning to display increasing signs of insanity, above and beyond his usual eccentricities. It is now believed the king...

    Read more →