The Yew Tree Inn

July 9, 2009 3:38 pm Article by Ash J. Lipkin

Michel Bourdin is a legend among chefs. In 1975, he arrived from France to begin his career as Head Chef at The Connaught hotel, the Mayfair institution of old world glamour and fine dining that catered for the likes of Cary Grant, David Niven and Princess Grace Kelly, among many distinguished others. Being the wood-panelled establishment that it was, Bourdin was told to change nothing; but the young chef had other ideas.

Antonin Careme, the founder of classical French cookingBourdin was soon welcomed into the small and exclusive Club du Neuf, an organisation formed by the most renowned London chefs at that time, namely the Roux brothers, Peter Kromberg and Anton Mosimann, with the aim of setting high standards for commercial kitchens to follow. Bourdin found a passion in this and helped to develop what is now the benchmark for kitchen apprenticeship and training in haute cuisine circles. Back at The Connaught, Bourdin installed a team of 52 chefs, with 13 cooks at each station. The food was forward-looking but with a distinct retrospective nod to those who’d gone before him, the founders of haute cuisine, Antonin Carême and Auguste Escoffier.

In 2001, Bourdin hung up his apron and retired from cooking, but his memory lives on, and nowhere more so than at Marco Pierre White’s Yew Tree Inn. Despite his rock-star-like celebrity status and his somewhat eccentric reputation, Marco is a very serious cook. You don’t become the world’s youngest chef to have 3-Michelin stars without slaving over a hot stove for many painful hours. Hailed by many within the catering industry as one of the most talented chefs our country has ever produced, Marco’s impact on the fine dining scene in London was revolutionary, raising the bar yet higher for his peers, apprentices and mentors.

Ten years after his own retirement from the kitchen, Marco still harbours a deep respect for those masters of gastronomy who’ve gone before him, and it was this reason that I was so excited about visiting the Berkshire outpost of his restaurant empire.

Auguste Escoffier, the godfather of modern haute cuisineOn the menu is Michel Bourdin’s most famous dish, the Croustade d’Oeufs de Caille Maintenon. A finely minced druxelles of sautéed mushrooms and shallots sits on a base of thin, buttery pastry, atop of which are five soft-boiled quail’s eggs, themselves covered with a rich hollandaise sauce. A throwback to the fine dining era of the Fifties and Sixties, this is just the sort of Escoffier-inspired starter that one would expect to have eaten in a glitzy Parisian hotel at the time. It is a piece of culinary history, or ‘old world gastronomy’ as Marco has put it, and I must doff my fedora to Mr White for having this on the menu, just as he doffs his bandana to Bourdin for having done the same. As one great master succeeds another, there is an appreciation of the culinary road that others have walked before them; from Carême to Escoffier, from Escoffier to Albert Roux, and from that generation to Marco and onwards again.

So, what of the actual dish? Quite delicious and as decadent as one would expect. On this occasion, however, the eggs were slightly overcooked so I didn’t experience the yolk running over the other ingredients as intended. But despite this error it was an otherwise well executed, rich and unctuous dish, each mouthful bringing a sense of retrospective delight to the palate. It’s a glamorous concoction, the type of starter that Fleming’s Bond would’ve ordered, along with a Dom Perignon ‘52 and a custom-rolled cigarette with a blend of Balkan and Turkish tobacco. If you can’t stomach such a rich dish, a version of Bourdin’s renowned kipper paté is also on the menu.

The Yew Tree InnFollowing in the same vein of culinary tributes, I chose a main course of ‘Venison Pierre Koffmann’ after Marco’s grizzly mentor, with chou a la crème and sauce chocolat amer. The venison arrived seared and cut into tender slices, cooked to absolute perfection; a truly sterling piece of meat treated with due respect. With it was a mound of cabbage, bacon and shallots, making a nice accompaniment to the venison but one that was way over-salted. Side dishes of creamed potato and a swede purée also featured this disproportionate salting, so much so that I couldn’t eat them without gasping for some fresh water to dilute the sodium chloride overload. I was quite surprised by this hindrance. Seasoning is very important but too much of it will ruin a dish, and although the potato had been creamed to a wonderful velvety texture, the spoonful of salt didn’t make this medicine go down very well at all.

As for the restaurant itself, at first I found it to be confused in its identity. On the one hand it’s a traditional inn, situated in a heavy-beamed country cottage with a nice selection of ales and dishes like fish and chips, pies and steaks on the menu. On the other hand, it’s decked out with leather booths and white table cloths, somewhat reminiscent of a 1950s fine dining restaurant. You’re not quite sure whether to relax and order a pint, or to ask for a bottle of their finest Chateau Margaux. With dishes like Bourdin’s Croustade d’Oeufs de Caille Maintenon on the menu, you have to wonder if that really sits comfortably alongside a Shepherd’s Pie. But then I started thinking, well why the hell not?

Ponder on the menu for a moment and the mind behind it, and one begins to see the sense in it all. It’s about food and tradition, and it clearly embodies the things that are important to Mr White; namely a respect for classical cooking, superb ingredients and a fond appreciation of hearty British food. Where else could you go to sample a haute cuisine tribute dish to one of Britain’s most renowned chefs, enjoy a pint of Mr Chubb’s Lunchtime Bitter (that has to be the best name ever for a beer), and then round off the meal with a Sherry trifle? Nowhere that I can think of. The menu makes you think about food, and I found it to be quite endearing.

Yew Tree ExteriorThe meal didn’t come cheap, but then The Yew Tree Inn caters for the well-spoken clientele of the Newbury area, made quite apparent by the presence of Porches and Jags in the car park. Service was friendly and relaxed, but striking an odd balance between Harvester non-efficiency and the food knowledge you would expect in a Michelin star restaurant. I was left with the impression that it’s a bit rough around the edges. Some of the table cloths were crumpled beyond belief, having only been ironed on top. The lack of background music, while not usually a problem, gave it the hushed atmosphere of a library on this visit, and someone had brought their dog into the restaurant which occasionally yapped at passersby. Not something you would blink twice at in a country pub, but in a nice restaurant the growling animal looked slightly out of place. Perhaps it was standing in for Marco.

Despite the shortcomings, if I were in the area I would certainly dine here again, if only to sit down to a meal of Bourdin’s classic old world dish, followed by a pint of Mr Chubbs for good measure; how could one resist?

The Yew Tree Inn, Hollington Cross, Andover Road, Highclere, Berkshire, RG20 9SE. Tel. 01635 253 360.

1 Comment

  • … and the best name for a pub’s band is the Firkin Barstewards. I’ll never forget that name.

    In South Africa we generally name venison by the animal that was used for the dish – like “Venison Warthog”, “Venison Kudu” and the like so “Venison Pierre Koffmann” sounds like something out of Sweeny Todd.

Make a Remark


In Other Matters...

  • WIE not WI

    WIE not WI

    If you didn’t already know, Thursday 8th March 2012 is International Women’s Day. What more fitting occasion, then, to host the first UK Women: Inspiration and Enterprise Symposium, a gathering of some of the world’s most prominent women in politics, business and the arts to lead a series of discussions,...

    Read more →
  • Pasqua and the Brain

    Pasqua and the Brain

    My little sister ‘does the brain’. This is what a lot of people will tell you. In reality she is not particularly little (she is in fact a fully grown 23 years of age) and what they really mean by ‘the brain’ is that she studied Neuroscience at university. These days all things inter- and extra-cranial...

    Read more →
  • Drinking with Shakespeare

    Drinking with Shakespeare

    Skimming through the FT’s roundup of 2011, its lowest points were made no less dreary by their depiction through illustrated Greek tragedy. I’m sure no one is under the illusion that 2012 (at least the beginning of it) is off to a blinding start – John Cusack might argue that it looks ultimately...

    Read more →
  • Dead Man’s Patterns

    Dead Man’s Patterns

    London and New York design agency Sheridan & Co. are to host a series of creative shows in their London space this year, the first of which showcases the work of Hormazd Narielwalla, and will take place during London Fashion Week this month. The exhibition, entitled Dead Man’s Patterns, Memento...

    Read more →
  • Murder on the Nile

    Murder on the Nile

    The latest production from The Agatha Christie Theatre Company was first adapted from Christie’s novel Death on the Nile (1937) and performed as a stage production Hidden Horizon in 1944 before opening in the West End and Broadway as Murder on the Nile in 1946. Simon Scullion deserves special mention...

    Read more →
  • Enter the Innerplace

    Enter the Innerplace

    Who doesn’t love the idea of having privileged access to exclusive parties, restaurants and shows? Innerplace is a private concierge service which uses vast knowledge and experience of London life, helped along by a rather extensive contacts book, to arrange unique experiences for members. As you’re...

    Read more →
  • Reading Trends

    Reading Trends

    The debate over the e-book or the ‘p-book’ (the latter being a term that makes me cringe), is the contentious issue in many a publishing circle. How are these reading trends evolving and can the two coexist happily? I don’t think it is quite that simple; different reading material will...

    Read more →
  • The Madness of George III

    The Madness of George III

    This tremendous Theatre Royal Bath production of Alan Bennett’s play is directed by the great Christopher Luscombe. King George III, in a spellbinding performance by David Haig, is beginning to display increasing signs of insanity, above and beyond his usual eccentricities. It is now believed the king...

    Read more →