“Director David Grindley well deserves the acclaim he received on its first outing in New York and more recently at the Theatre Royal Bath. It’s a real treat to see the play now making its presence felt here in London.”
“For some, the “comedy” in Shakespeare’s comedies often seems arcane. Either it’s wrapped up in linguistic mystery or it relies too heavily on puerility.”
A painter of the Dutch Golden Age, Johannes Vermeer’s works provide a glimpse into everyday 17th century life in the Netherlands.
“Kenneth Macmillan’s 1978 offering is very much a grown-up ballet, setting itself apart with a male dancer in the lead role…and a frenzy of drugs, prostitution, infidelity and gun-wielding.”
“There’s something about donning black tie, dusting off one’s dress shoes and slipping on a silk scarf that seems synonymous with the way opera can be appreciated in a manner befitting it as an art form.”
“The current revival of Death in Venice at the ENO is a beautiful portrayal of this haunting opera. Deborah Warner’s direction is particularly stunning.”
This Northern Broadsides revival of Githa Soweby’s 1912 play, Rutherford & Son, appears at the St…
Those taken with the colour and ebullience of Martin Scorsese’s 2002 epic, “Gangs of New…
Gallery curator and international art dealer, Jean-David Malat, gives us a personal tour through one of…
The UK premiere of David Mamet’s Race at Hampstead Theatre is compelling, funny, and shocking. The design is…
You step off the dilapidated coach, warm trade winds kicking at the fedora you haggled…
You forget the rapturous applause that accompanies an Acosta appearance. It’s deafening. There are many good dancers, but the might of Carlos Acosta is something else entirely.