Review: The Great Gatsby
Baz Luhrmann’s adaptation of F. Scott Fitzgerald’s classic novel The Great Gatsby is like a…
Baz Luhrmann’s adaptation of F. Scott Fitzgerald’s classic novel The Great Gatsby is like a…
“I found myself fascinated and excited by Marley. At times it drew me close to tears. I didn’t of course, actually cry. In fact, had I cried, I would still probably say that I didn’t of course, cry.”
Two of Bristol’s finest arts and ents venues are just a skip and hop apart…
“Dispatched to settle the affairs of a recently deceased woman, Kipps arrives in a quaint but markedly rude village in the heart of the Victorian countryside. Under the chocolate-box veneer, dark undercurrents flow.”
“I pray the poor soul chancing upon this despair-smirched scrawl forgives the quality of my record. It has been four nights since last I slept. Frequent opium use has afforded little respite to my fractured sanity…”
“I never thought it was shameful. It felt normal. It’s just that it was much better than pounding a typewriter eight hours a day.” Steve Thompson muses over the life and career of America’s pin-up queen.
L’Amour Fou (Crazy Love), not to be confused with the 1969 movie of the same name directed by Jacques Rivette, is a portrait of Yves Saint Laurent’s life with Pierre Bergé. Kate Lawson reviews.
Steve Martin? In a serious role? It works, says Steve Thompson, revisiting David Mamet’s 1997 film The Spanish Prisoner. Expect twists, turns, twisty-turns and smarty-pants dialogue, and be sure to pay rapt attention.
Sitting in a darkened room with 15 people, my toes were so curled I could almost kick my kneecaps. Across the room I saw winces, hands across eyes and heads fully turned from the screen. “Oh my…” breathed the woman behind me.
Steve Thompson, whose film recommendations are frankly starting to worry us here at The Arb, confesses his rather dirty love for Andrzej Zulawski’s 1981 twisted horror-drama, Possession.