Browsing: Film

On Screen
0

“I found myself fascinated and excited by Marley. At times it drew me close to tears. I didn’t of course, actually cry. In fact, had I cried, I would still probably say that I didn’t of course, cry.”

On Screen
0

“Dispatched to settle the affairs of a recently deceased woman, Kipps arrives in a quaint but markedly rude village in the heart of the Victorian countryside. Under the chocolate-box veneer, dark undercurrents flow.”

On Screen
2

“I pray the poor soul chancing upon this despair-smirched scrawl forgives the quality of my record. It has been four nights since last I slept. Frequent opium use has afforded little respite to my fractured sanity…”

On Screen
0

“I never thought it was shameful. It felt normal. It’s just that it was much better than pounding a typewriter eight hours a day.” Steve Thompson muses over the life and career of America’s pin-up queen.

On Screen
0

L’Amour Fou (Crazy Love), not to be confused with the 1969 movie of the same name directed by Jacques Rivette, is a portrait of Yves Saint Laurent’s life with Pierre Bergé. Kate Lawson reviews.

On Screen
1

Steve Martin? In a serious role? It works, says Steve Thompson, revisiting David Mamet’s 1997 film The Spanish Prisoner. Expect twists, turns, twisty-turns and smarty-pants dialogue, and be sure to pay rapt attention.

On Screen
0

Sitting in a darkened room with 15 people, my toes were so curled I could almost kick my kneecaps. Across the room I saw winces, hands across eyes and heads fully turned from the screen. “Oh my…” breathed the woman behind me.

On Screen
0

Steve Thompson, whose film recommendations are frankly starting to worry us here at The Arb, confesses his rather dirty love for Andrzej Zulawski’s 1981 twisted horror-drama, Possession.