Filmic Bristol: A Film and Music Festival
Two of Bristol’s finest arts and ents venues are just a skip and hop apart…
Browsing: On Screen
Safely Scary: The Woman in Black
“Dispatched to settle the affairs of a recently deceased woman, Kipps arrives in a quaint but markedly rude village in the heart of the Victorian countryside. Under the chocolate-box veneer, dark undercurrents flow.”
The Haunting
“I pray the poor soul chancing upon this despair-smirched scrawl forgives the quality of my record. It has been four nights since last I slept. Frequent opium use has afforded little respite to my fractured sanity…”
Bettie Page: Queen of Pin-Ups
“I never thought it was shameful. It felt normal. It’s just that it was much better than pounding a typewriter eight hours a day.” Steve Thompson muses over the life and career of America’s pin-up queen.
War Horse
In recent months, Spielberg has returned to the big screen with the re-incarnation of Jurassic Park, then The Adventures of Tintin, and now the filmic interpretation of the Tony award-winning stage production War Horse.
Charlotte Rampling: The Look
“Exposure is huge, and once you put your foot in it, and it takes off, it’s quite a beast. It’s quite devouring, because you have to find a way that you are not invaded all the time by lenses and by people looking.”
Grindhouse Trailer Classics
If you weren’t lucky enough to frequent a certain type of picture house of the 60s, 70s and early 80s, you’ve lost your chance to experience the true Grindhouse effect in all its filthy glory. Until now…
My Week with Marilyn
If you want to watch a film about style and screen icon Marilyn Monroe’s tumultuous…
After Hours
Steve Thompson reviews Martin Scorsese’s blackly comic Kafkaesque masterpiece, the 1985 film After Hours, a twisted, tormented, existential trip through the dark streets of downtown Manhattan.
L’Amour Fou
L’Amour Fou (Crazy Love), not to be confused with the 1969 movie of the same name directed by Jacques Rivette, is a portrait of Yves Saint Laurent’s life with Pierre Bergé. Kate Lawson reviews.
Fashion on Film: Madonna’s W.E.
Madonna’s W.E. is a film that switches between the lives of Wallis Simpson (Andrea Riseborough)…
The Spanish Prisoner
Steve Martin? In a serious role? It works, says Steve Thompson, revisiting David Mamet’s 1997 film The Spanish Prisoner. Expect twists, turns, twisty-turns and smarty-pants dialogue, and be sure to pay rapt attention.