The Sixteen’s Monteverdi 1650: Messa a quattro voci et Salmi
That there is currently a revival of public interest in early music (albeit surprising) was…
That there is currently a revival of public interest in early music (albeit surprising) was…
There is absolutely no doubt that Kinky Boots will shove a bit of verve into…
I’m going to begin by admitting that Showstopper! is the most hilarious musical I’ve seen…
It’s impossible not to be charmed by the Watermill Theatre’s current production of Lionel Bart’s…
Sounds intriguing, doesn’t it? ‘On Blackheath’? What’s on Blackheath? Quite a bit, it turns out.…
Oh to be a percussionist in Verdi’s Requiem. Watching Heather Corbett of the BBC Scottish…
Putting on a production of Seven Brides For Seven Brothers in this day and age…
Sinatra: The Man & His Music is timed to coincide with Frank Sinatra’s centenary and,…
The fuss that greeted the Royal Opera House’s current production of William Tell has proved…
This year’s Glyndebourne season is unusually daring, with few of the big commercial bankers that…
Whilst Garsington Opera’s annual festival on the Wormsley Estate has been a key date in…
I owe my appreciation of opera to the actor Tom Hulce. If the name doesn’t…