Die Fledermaus at the London Coliseum
“An operetta whose characters laugh in the face of convention and drink champagne in the hope of turning their fantasies into realities.”
“An operetta whose characters laugh in the face of convention and drink champagne in the hope of turning their fantasies into realities.”
“The end of painting has been much discussed over the past thirty years. On the strength of this exhibition I don’t believe we’re there yet. Far from it.” Harry Chapman takes in Peter Doig’s current show in Edinburgh…
“Nunn’s new production of Scenes from a Marriage packs a punch. A really hard punch. So hard was the punch that it packed, I had to have a stiff drink afterwards just to calm my nerves.”
“As interest gathers pace in the Royal Academy’s current ‘Australia’ show one observation seems to be that it confirms our preconceptions [about] Australian art.” Harry Lytton finds a surprising twist on art from down under in a forthcoming exhibition…
“Despite being the world’s sixth largest nation, the land Down Under has been curiously absent from art history’s hall of fame.” Estella visits the latest exhibition at the RA…
Harry Chapman delves into the dark world of the National Galleries Scotland’s witchcraft exhibition in Edinburgh…
“There is nothing subtle about it, Barking in Essex is like being caught in a wind tunnel for two hours and being blasted with a tirade of swearing and abuse…”
Puccini’s final work kicks off the opera season at the Royal Opera House, which has called in the big guns for the occasion, taking us back to ancient China to witness the cruel games of Turandot.
Sigmund Freud meets Salvador Dali in a thought-provoking play at the Hampstead Theatre…
“Simon Callow examines Wagner’s history whilst delving into his psyche, attempting to understand what made him tick and how he came to produce such momentous, if divisive, works and opinions.”
“How you react towards Kevin Toolis’s ingenious one-man play…will largely depend on which end of the political spectrum you belong to.” Alex Larman politicises the Edinburgh Fringe’s smash hit…