Glyndebourne Up Close: In Conversation with Samantha Hankey
As Glyndebourne’s sun-scorched lawns brace for a new production of Richard Strauss’s Ariadne auf Naxos,…
As Glyndebourne’s sun-scorched lawns brace for a new production of Richard Strauss’s Ariadne auf Naxos,…
It’s become customary that a trip to the theatre these days should involve something grandiose…
Rosalind Ormiston visits Zurbarán at the National Gallery: a near-fifty-painting retrospective that reveals the full…
Few people have remained almost as famous in death as they were in life, but…
Despite The Marquise (1927) approaching one-hundred years since it was first performed at London’s Criterion…
When I heard that there was a new Artist Residency at Rosewood London, a hotel…
As a restaurant reviewer who can put a decent meal on the table and has…
Most fans of the 1956 film High Society – a who’s who of Hollywood, from…
“Press it! Press it! Press it! Press it!” The audience chants, the noise and excitement…
Attending If Opera is always a highlight of my summer and, celebrating their 30th anniversary…
“It is a very odd room, isn’t it? It’s like a magic dark room where…
Alexander Zeldin doesn’t mind making his audience uncomfortable. An earlier play, Faith, Hope and Charity…