L’Amour Fou
L’Amour Fou (Crazy Love), not to be confused with the 1969 movie of the same name directed by Jacques Rivette, is a portrait of Yves Saint Laurent’s life with Pierre Bergé. Kate Lawson reviews.
L’Amour Fou (Crazy Love), not to be confused with the 1969 movie of the same name directed by Jacques Rivette, is a portrait of Yves Saint Laurent’s life with Pierre Bergé. Kate Lawson reviews.
Three female Londoners called The Lorelles say we should forget everything we mock about girl bands – and after hearing them sing, you’ll probably agree. Adjoa Wiredu meets Therese, Rosie and Lizzie.
Madonna’s W.E. is a film that switches between the lives of Wallis Simpson (Andrea Riseborough)…
Battersea Dogs & Cats Home, one of the UK’s best loved animal welfare charities, is…
The Arbuturian likes to think of itself as a well-heeled, well-fed, well-read, well more than…
The Marriage of Figaro marks the third time actress Fiona Shaw has directed for the ENO, but this is the first time she has taken the helm for one of opera’s real crowd pleasers, and with interesting results…
Steve Martin? In a serious role? It works, says Steve Thompson, revisiting David Mamet’s 1997 film The Spanish Prisoner. Expect twists, turns, twisty-turns and smarty-pants dialogue, and be sure to pay rapt attention.
The Fine Art Society, as its name suggests, would not you would think welcome, let…
Sitting in a darkened room with 15 people, my toes were so curled I could almost kick my kneecaps. Across the room I saw winces, hands across eyes and heads fully turned from the screen. “Oh my…” breathed the woman behind me.
Evidently October in London is Art Fair month. The parks are soon to be bustling…
In the wake of London Fashion Week, Adjoa Wiredu previews the V&A’s latest exhibition, Postmodernism: Style and Subversion, and asks, what exactly is postmodernism?
“One for the road” is such a flippant, jovial expression, isn’t it? Something dads say at the pub. But I’ll never hear the expression in quite the same way again, having seen The Print Room and Young Vic’s co-production of Pinter’s brutal short play.