
The Open House
As if we don’t have any worthy contemporary British playwrights to showcase, following German writer…
As if we don’t have any worthy contemporary British playwrights to showcase, following German writer…
Standing on the platform at the Barbican tube after the RSC’s performance of Antony and…
It’s always something of a pleasure to see a production with no preconceptions ahead of…
Semiramide is the kind of opera I usually struggle with for all sorts of reasons,…
Is it a book? Is it a film? Is it an opera? Actually, it’s all…
Welsh National Opera called at Bristol Hippodrome last week; the penultimate venue on their UK…
What does one of the founding fathers of Impressionism and a nineteenth century Scottish shipping…
Niamh Cusack and Patrick Baladi star in German playwright Daniel Kehlman’s Christmas Eve, directed by…
When Katie Mitchell’s production of Donizetti’s Gothic masterpiece first appeared in 2016, it was not…
To say that expectations were high for the opening of London’s newest theatre, the Bridge,…
This Exeter Northcott and Nick Brooke production of The Railway Children directed by Paul Jepson,…
The Royal Opera House’s retrospective of Kenneth MacMillan’s work – 25 years after his death…